May 18, 2025: LandesZupfOrchester Nordrhein-Westfalen will perform A Baker's Tale arranged for mandolin orchestra at the Rhein Sieg Forum in Siegburg, Germany. The concert will be streamed on YouTube.
March 8, 2025: The Trans-Pacific Trio (Colin Lord, clarinet; Maria Lord-Kniveton, bassoon; Dianne Lord, piano) will perform A Baker‘s Tale at Steinway Gallery Recital Hall in Commerce Township, Michigan.
December 24, 2024: A Year of Deep Listening, an anthology of 365 text scores, including It is. What? It is! by David Jason Snow, will be published by Terra Nova Press. The scores were compiled by the Center for Deep Listening in celebration of the legacy of composer Pauline Oliveros.
November 23, 2024: The Culture and Sustainability festival, co-organized annually by Projecto DME-Lisboa Incomum and the Center for Marine Sciences at the University of Algarve, featured the video Ditch Plains along with other acousmatic and video works in a “listening room” installation inside the Lisboa Incomum performance space in Lisbon, Portugal.
November 13, 2024: Karen Snow’s video documentary My fair mother, about the Broadway and television career of dancer Maxine Berke, was premiered at the Quad Cinema in Greenwich Village as part of the 10th annual Greenwich Village Film Festival. David Jason Snow composed the film score.
November 7, 2024: In protest of attempts by Argentina‘s right-wing government to gut laws protecting the health, safety, and intellectual freedom of the public, composer Sebastian Ernesto Pafundo premiered the collaborative acousmatic work Decree/Disposal, which includes David Jason Snow's Desprecio del emperador.
November 4-December 1, 2024: The Film and Video Poetry Society launched a 24 hour, 7 day a week online video poetry channel as part of their 2024 Film and Video Poetry Symposium Live Stream. Programming will include the video Grand Liturgie Situationniste.
October 16, 2024: The International Music Film & Video Festival URTIcanti selected the video Mutations for screening at the Auditorium Nino Rota in Bari, Italy.
August 23, 2024: The online electronic music concert series La Hora Acusmática curated by Eleazar Garzón presented the video Mutations on the series YouTube page (https://www.youtube.com/@lahoraacusmatica8066).
August 16, 2024: Winter was performed by Michael Gause (trumpet) and Doreen Lee (piano) at the International Women’s Brass Conference in Mito City, Japan.
July 28-August 23, 2024: The acousmatic composition This is only a test was featured in an online installation of audio works dealing with the theme “The Sound of Anthropocene,” part of the Anthropocene Project curated by Wilfried Agricola de Cologne for the New Museum of Networked Art. To listen to the work, navigate to https://cinema.nmartproject.net/hyper-h-02/#, scroll down the page to Part 4 ...what could humanity do to prevent its own premature collapse, and place the mouse cursor over the icon with the caption “David Jason Snow.” A pop-up audio-player will appear.
March 8, 2024: The 2024 Performing Media Festival [PMF~ 2024] sponsored by Indiana University South Bend and the South Bend Museum of Art screened the video Wake me when we get there at Langlab South Bend.
March 1, 2024: The video Wake me when we get there was screened at the Festival of Contemporary Artists in Music at Washington State University in Pullman, Washington.
November 26, 2023: The Agorart Ensemble (Davide Baldo, alto flute; Emanuele Dalmaso, clarinet; Mattia Grott, electronics) performed A night in Absurdistan at the Sala Fondazione Caritro Rovereto in Trentino, Italy under the auspices of L'Associazione Culturale Piazza del Mondo.
October 6, 2023: After eighteen years as a reference librarian and special collections cataloger at the Juilliard School's Lila Acheson Wallace Library, I have launched myself into retirement.
September 5-9, 2023: The video Grand Liturgie Situationniste was screened at the Torrance Art Museum as part of the Vacations in the Subconscious exhibit celebrating the 100th aniversary of the Manifesto of Surrealism by André Breton.
August 25, 2023: RADIOPHRENIA, a temporary art radio station broadcasting from the Centre for Contemporary Arts in Glasgow, Scotland, presented the electroacoustic work The Mozart effect.
July 22, 2023: The video Grand Liturgie Situationniste was selected for inclusion in the online exhibition Vacations in the Subconscious 1924-2023, sponsored by the New Museum of Networked Art, celebrating the 100th aniversary of the Manifesto of Surrealism by André Breton.
May 21, 2023: The American Brass Quintet performed Dance movements in recital at Western Connecticut State University in Danbury, Connecticut.
May 7, 2023: The American Brass Quintet performed Dance movements in recital at St. Paul’s by-the-Sea Episcopal Church in Jacksonville Beach, Florida.
May 4, 2023: The American Brass Quintet performed Dance movements in recital at the Tryon Fine Arts Center in Tryon, North Carolina.
April 15, 2023:The American Brass Quintet performed Dance Movements in recital at the Concord Free Public Library in Concord, Massachusetts. April 1, 2023: Joshua Bialkin, trumpet, and Jun Hwi Cho, piano, performed Winter on a Master of Musical Arts recital at the Yale School of Music.
March 20, 2023: The American Brass Quintet performed Dance Movements at the Juilliard School as part of the Daniel Saidenberg Faculty Recital series.
March 12, 2023: The American Brass Quintet performed Dance movements as part of the Impromtu Classical Concerts series in Key West, Florida.
March 4, 2023: The video Wake me when we get there was selected for streaming on NO SUCCESS, a Vimeo channel of experimental audio and video art curated by a group of European composers and performers.
October 8, 2022: Saint Modestus Blesses the AK-47s was one of 21 acousmatic compositions selected for inclusion in The Violence Project, an online installation sponsored by The New Museum of Networked Art curated by Wilfried Agricola de Cologne.
September 22, 2022: The Dance, Art, and Theater Departments of Slippery Rock University of Pennsylvania presented the electroacoustic work Ain't nobody here but us chickens at the university's Pearl K. Stoner Performing Arts Complex.